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There is an Edvard Munch exhibition on in Oslo and the famous tormented figure from The Scream can be seen on every hoarding and the side of every bus here, but there is one other face that almost matches his for ubiquity. The crime novelist Jo Nesb淡 gazes at me not only from billboards but also, in various striking poses, from the front covers of a score of commuters’ paperbacks. It is difficult to say which is the more prominent poster boy for art that depicts the angst lying beneath the placid surface of everyday life in Norway.
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